Sunday, March 25, 2018

Boswell’s Life of Johnson: 209


Edited by Dan Leo, Associate Professor of Remedial Classical Latin, Olney Community College; author of Bozzie and Dr. Sam: The Case of the Voluble Frenchman, the Olney Community College Press.

Artwork supervised by rhoda penmarq (layout, pencils, inks, sustainable oil paints by "eddie el greco; lettering by roy dismas) for the penmarq qorporation™.

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An eminent foreigner, when he was shewn the British Museum, was very troublesome with many absurd inquiries. "Now there, Sir, (said he,) is the difference between an Englishman and a Frenchman. A Frenchman must be always talking, whether he knows any thing of the matter or not; an Englishman is content to say nothing, when he has nothing to say."'

'His unjust contempt for foreigners was, indeed, extreme. One evening, at old Slaughter's coffee-house, when a number of them were talking loud about little matters, he said, "Does not this confirm old Meynell's observation— For any thing I see, foreigners are fools."'


'He said, that once, when he had a violent tooth-ache, a Frenchman accosted him thus:— Ah, Monsieur vous etudiez trop.'

'Having spent an evening at Mr. Langton's with the Reverend Dr. Parr, he was much pleased with the conversation of that learned gentleman; and after he was gone, said to Mr. Langton, "Sir, I am obliged to you for having asked me this evening. Parr is a fair man. I do not know when I have had an occasion of such free controversy. It is remarkable how much of a man's life may pass without meeting with any instance of this kind of open discussion."'


'Spanish plays, being wildly and improbably farcical, would please children here, as children are entertained with stories full of prodigies; their experience not being sufficient to cause them to be so readily startled at deviations from the natural course of life. The machinery of the Pagans is uninteresting to us: when a Goddess appears in Homer or Virgil, we grow weary; still more so in the Grecian tragedies, as in that kind of composition a nearer approach to Nature is intended.


Yet there are good reasons for reading romances; as— the fertility of invention, the beauty of style and expression, the curiosity of seeing with what kind of performances the age and country in which they were written was delighted: for it is to be apprehended, that at the time when very wild improbable tales were well received, the people were in a barbarous state, and so on the footing of children, as has been explained.'


'It is evident enough that no one who writes now can use the Pagan deities and mythology; the only machinery, therefore, seems that of ministering spirits, the ghosts of the departed, witches, and fairies, though these latter, as the vulgar superstition concerning them (which, while in its force, infected at least the imagination of those that had more advantage in education, though their reason set them free from it,) is every day wearing out, seem likely to be of little further assistance in the machinery of poetry. As I recollect, Hammond introduces a hag or witch into one of his love elegies, where the effect is unmeaning and disgusting.'


'The man who uses his talent of ridicule in creating or grossly exaggerating the instances he gives, who imputes absurdities that did not happen, or when a man was a little ridiculous describes him as having been very much so, abuses his talents greatly. The great use of delineating absurdities is, that we may know how far human folly can go; the account, therefore, ought of absolute necessity to be faithful.'


'For hospitality, as formerly practised, there is no longer the same reason; heretofore the poorer people were more numerous, and from want of commerce, their means of getting a livelihood more difficult; therefore the supporting them was an act of great benevolence; now that the poor can find maintenance for themselves, and their labour is wanted, a general undiscerning hospitality tends to ill, by withdrawing them from their work to idleness and drunkenness.'


'Hospitality to strangers and foreigners in our country is now almost at an end, since, from the increase of them that come to us, there have been a sufficient number of people that have found an interest in providing inns and proper accommodations, which is in general a more expedient method for the entertainment of travellers. Where the travellers and strangers are few, more of that hospitality subsists, as it has not been worth while to provide places of accommodation. In Ireland there is still hospitality to strangers, in some degree; in Hungary and Poland probably more.'


'Colman, talking of Shakspeare's learning, asks, "What says Johnson?" Upon this he observed, "Sir, I never engaged in this controversy. I always said, Shakspeare had Latin enough to grammaticise his English."'

'He used frequently to observe, that men might be very eminent in a profession, without our perceiving any particular power of mind in them in conversation. "It seems strange (said he) that a man should see so far to the right, who sees so short a way to the left. Burke is the only man whose common conversation corresponds with the general fame which he has in the world. Take up whatever topick you please, he is ready to meet you."'


'A gentleman, by no means deficient in literature, having discovered less acquaintance with one of the Classicks than Johnson expected, when the gentleman left the room, he observed, "You see, now, how little any body reads."'

'I would put a child into a library (where no unfit books are) and let him read at his choice. A child should not be discouraged from reading any thing that he takes a liking to, from a notion that it is above his reach. If that be the case, the child will soon find it out and desist; if not, he of course gains the instruction; which is so much the more likely to come, from the inclination with which he takes up the study.'

'Though he used to censure carelessness with great vehemence, he owned, that he once, to avoid the trouble of locking up five guineas, hid them, he forgot where, so that he could not find them.'


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Horace P. Sternwall, host and narrator of Bob’s Bowery Bar Presents Philip Morris Commander’s “Blanche Weinberg: Lady Psychiatrist”, broadcast live 8pm Sundays {EST} exclusively on the Dumont Television Network. This week’s play: Jesus Was Jewish, Too, by Harriet P. Steinfeld, starring Kitty Carlisle as “Dr. Blanche”, with special guest star Edward G. Robinson as “Rabbi Jim”.)

 



part 210


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